I think that the challenge that we’re facing today, as curators or working within the institution, is precisely to change the epistemology of the museum. Can we open the code of the museum? Can we radically say instead of, "Oh, let’s make a feminist exhibition and let’s invite suddenly 20 women." It’s like, "Hello, but do you think that with 20 women, the horrifying patriarchal idea of art that we already have will change? No."

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